Distance Learning Followed by World Première :: Katalin Pocs Evening Song Music Essays

Distance Learning Followed by World Premire Esti Dal (Evening Song) by Katalin Pcs was compose for the Indiana University International Vocal Ensemble and harpist Erzs encounter Gal in January 2000. The composition received its world premire conducted by Professor Mary Goetze on April 9, 2000 at IU School of medicinal drug, Bloomington, Indiana.Katalin Pcs is one of the leading members of the young generation of Hungarian composers. Her compositions include orchestral and chamber works that have been performed by means ofout Europe. She has performed some of her own soft symphony in Berlin, Gdansk, Moscow, Munich, and Vienna. In addition, Pcs has written electronic works that were performed in Canada, as well as works for harp, for exercising a Septet called Vibrarions and a solo piece called Ballade which were introduced by Erzsbet Gal in Hungary and in the United States. In her stage setting of the folk song Esti Dal, Pcs employs the sounds of mixed chorus, harp, and synthe sized music. These three elements dep dodge together to express the songs text about wandering, weariness, and a plea to immortal for rest and shelter. This choral work connects the past with the present by incorporating an old-fashioned tonal Hungarian folk song into a modern food grain with harp accompaniment. The addition of an electronic sound track that creates new relationships between consonance and dissonance in the music juxtaposes tradition with present twenty-first century practices. Mary Goetze is a Professor of Music and Chairperson of the Music in General Studies Department. She founded the International Vocal Ensemble in 1995. The chorus specializes in the recreation of music from outside the European and American art traditions. Through the learning process, the choir becomes acquainted not only with the music itself but also with the related aspects of the culture and language. In 1996, Dr. Goetze was awarded a confess from Indiana University for a project ent itled Multicultural Music cultivation which allowed her to do research in Zimbabwe and South Africa. Currently she is co-authoring a serial publication of CD ROMs that facilitate the oral transmission of vocal music from assorted sources. In preparation for the first performance, the International Vocal Ensemble had the perk to work with composer Pcs on her new composition through a satellite hook-up connection between Budapest, Hungary and Bloomington, Indiana that was made viable by the Center for the Study of Global Change on IUs campus. A technology called interactive compressed video opened the door for the choir and the composer to work together on Esti Dal notwithstanding a deviation of six time zones.