The Complexity of Marjane Satrapis Persepolis Essay -- Muslim Women

If a person were to hastily flip with the pages of Marjane Satrapis graphicnovel Persepolis, using only eyes to judge, the control could easily be put off as justanother(prenominal) piece of literary fluff. Their inner literary critic might discover a perplexed gasp andtheir mind might reel with the wonder at how they happened upon something that wassurely intended for the childrens comic book section. With either further examination ofthe books literary content and the ply of its simplified prowess, however, such an easyto assume accusation shows through as fatally incorrect. Persepolis is the memoir of ayoung woman growing up in the decimating national conflicts of 1970s Iran depictedalongside an unexpectedly, simplified artwork style. At first it may appear that this isdone only for the involvement of unique marketability or because it is merely Satrapis naturaldrawing style. A deeper examination, however, will reveal that a form ofamplification through diminution (McClo ud, 30) is achieved and visual support isgiven to the text in a modal value that realistic or more serious art could not accomplish.though simplified in its artistic approach, Persepolis is anything but simplified incontent.When a writer chooses to include illustrations in a piece of literature, the first lying-inis to decide the level of abstraction/ realism the art will present. In Persepolis case, asimplified art style works best, as it amplifies only the primary features of the text, unlikerealism which would be far more think on social details. Given the books heavy thing matter (of both a war beyond massive desolation and the metamorphosis of a girl caught in its trauma), Persepolis has a great patronage of information to cover in t... ...captivating and personally significant aspects of her experience. Through stimulus generalisation and a lack ofexplicit realism, Satrapi invigorates the books deeper messages in a manner that extendsbeyond the written word and into con ceptual imagery. By de-emphasizing the show of the physical worldthe cartoon places itself in the world of concepts(McCloud 41), concepts that convey the subjective, but still far too true life of MarjaneSatrapi. This simplified and typic universe is not Iran or Austria or France it is Marjanes Persepolis. Works CitedMcCloud, Scott. mind Comics The Invisible Art. New York HyperCollinsPublishers, 1993. PrintStrapi, Marjane. Persepolis The tale of Childhood. Paris, France LAssociation, 2003. Print.Strapi, Marjane. Persepolis 2 The Story of Return. Paris, France LAssociation, 2004.Print